Chemistry and magic straight down the line exhibition - Art in Manufacturing Commission
June 2018
Keywords: art in manufacturing • national festival of making • commission • exhibition • chemistry and magic straight down the line
Chemistry and magic straight down the line
Venue: The Gatehouse, Corner of Radio Lancashire & Market St Lane
2018 festival programme here: http://festivalofmaking.co.uk/wp-content/uploads/2018/05/The-National-Festival-of-Making-Programme-2018_web.pdf
Powder-coated industrial paintings and the story of a vaudeville magician feature in a sculptural installation that responds to the unique ecosystem of Ritherdon
Photo by Gunner Gu
Ritherdon's 20th Century production of magic tricks is shrouded in secrecy. The mysterious relationship between company founder Percy Ritherdon and Chung Ling Soo, the American illusionist whose fatal encounter with a magic bullet trick so shocked 1918 Britain, has found reflection in Nicola Ellis’ deep residency with the company. Like the Chung Ling Soo, the artist has subverted factory processes for the production of something bespoke, producing a series of powder-coated ‘paintings’ aping the presence of the fabricators hand, while leaving the final mark of creation to the automated machines of manufacturing.
A vanishing act also features, as the left-behind shapes present in sheets of metal after factory cutting take their place in Ellis’ sculptural ambitions, creating a solid structure that gives flesh to the negative space. As scraps of metal are temporarily lifted from the Ritherdon site, they will be returned to Ritherdon to re-join their predetermined journey.
The Artist
Image by Daniel Allison
Nicola Ellis is interested in the material properties, function and circulation of metals and their impact on human culture.
Her work draws on the visual language of industry operations, fabrication and profiling processes. The parameters for sculpture, installation and drawings include relationships between people, businesses and places of production.
The sculpture and installations often feature scrap material and industrial detritus, referencing the tradition of mid-twentieth century abstract metal sculpture. Breaking from this tradition, Ellis orchestrates situations for improvised and impermanent works. Materials are often loaned from places of industry local to an exhibition site; treating steel as a kind of currency in its own right. Each work is not only a response to its material properties and site but it also functions as a reflection of material and industry within local, national and international systems of value.
The Manufacturer
Established by Percy Ritherdon in 1895 to take advantage of the Edwardian bicycle boom, Ritherdon & Company has survived two World Wars and the Great Depression thanks to three resilient generations of the famous family. One-hundred storied years on and the firm still continue to produce a variety of products for a variety of industries; from meter boxes and meter box repair units for the Housing industry, to passive safe products, feeder pillars and electrical enclosures for the Highways industry. A combination of a passion for innovation and close working relationships ensures the continual development and expansion our product ranges.
'I think working with Nicola over the last few weeks has given us a reminder of what the feeling must have been like as a new magic trick was nearing completion at Ritherdon in the early 20th Century' – BEN RITHERDON
Content taken from: https://festivalofmaking.co.uk/projects/art-in-manufacturing-2/nicola-ellis-and-ritherdon/
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Information from the interviewer: In an exciting collaboration with the fantastic National Festival of Making, celebrating the UK making industry, comes the first of three special episodes covering Art in Manufacturing season 2.
Crossing seven of the UK's most adventurous artists with the machinery of Lancashire's premier industrialists, Im first heading to Darwen's Ritherdon, where artist and sculpture maker Nicola Ellis is collaborating with the staff, inspired by the rich heritage and responding to the workplace environment to create a bespoke artwork in a company with a truly unique history approaching 125 years.
I'll never look at a place of industry in the same way and I hope you won't too!
Special thanks to the Heritage Lottery Fund and Arts Council England for supporting the series
Please pass on your thoughts @arrestallmimics on social media
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Images of works and works in progress
Previous
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Ritherdon staff photo plus Nicola
June2018
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Incidental Futures at South London Gallery
September2019
Next
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Work from home - drawings made during lockdown
March2020
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Photographs of the Ritherdon factory
January2020